The single remix of "Legs" is much more synthesizer-driven than the album version (although a synthesizer can be heard throughout the latter, it is toned down). During the final tracking sessions, Terry Manning (final Eliminator tracking engineer) called Linden Hudson and asked how he did the synth effects for "Legs", although Terry could have easily pulled it off if he needed to. VERY GOOD PLUS-Vinyl may have scratches and/or other visual blemishes, but should play through without skipping or repeating.
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However, David Blayney (ZZ Top stage manager for 15 years) explains in his book Sharp Dressed Men that the pumping synthesizer effect in "Legs" was introduced in pre-production by Linden Hudson. Mint- (M-)-This is the highest grade for records that have been played. Although all three members of ZZ Top are credited with playing on the track, only Gibbons was actually present engineer Terry Manning was responsible for all the musical parts save the lead guitar. Total record sales of 25 million place ZZ Top among the top. Miami Vice is one of the few live-action shows to use 'Legs' animated shows that have used it include King of the Hill ('Hank Gets Dusted - 2007'), American Dad ('Finances with Wolves' - 2006) and The Simpsons ('Sunday, Cruddy Sunday' - 1999). The dance mix version of the song peaked at number thirteen on the dance charts. The logo is featured above a picture of a womans legs straddling the famous 1933 Ford coupe. ZZ Top's 'Tush' and 'Sharp Dressed Man' were also used in the series. The song was released as a single in 1984 and reached number eight on the Billboard Hot 100 in the United States. Where most veteran artists turn to Rick Rubin for a back-to-basics reboot, ZZ Top’s 2012 dalliance with the famed producer yielded “I Gotsta Get Paid,” a sleazy, grease-fried reinterpretation of DJ DMD’s Houston-rap standard “25 Lighters."Legs" is a song performed by the band ZZ Top from their 1983 album Eliminator. Since then, ZZ Top have kept on rollin’ past the half-century mark, and they remain the rare classic-rock institution that always keeps its ear to the ground for fresh inspiration.
#Legs zz top series
And it wasn’t just their appearance that had changed: With 1983’s blockbuster Eliminator, ZZ Top crosswired their gritty grooves with New Wave synths and sequencers to the tune of over 10 million copies sold, while a series of videos featuring hot models cruising around in the album cover’s customized vintage Ford Coupe made the band icons of the then-nascent MTV. Photo of Dusty HILL and ZZ TOP and Frank BEARD and Billy GIBBONS L-R: Dusty Hill, Billy Gibbons, Frank Beard - posed, studio, group shot Top Portrait of members of the American Rock group ZZ Top as they pose backstage at the Metro Center, Rockford, Illinois, February 8, 1984. Though ZZ Top often played the part of Southern showmen with their cowboy hats and Nudie suits, by the early ‘80s, Gibbons and bassist Dusty Hill had grown out their beards past their chests, lending this workmanlike band a quirky visual trademark just in time for the music-video era. But thanks to guitarist Billy Gibbons’ pedigree in ‘60s garage outfit The Moving Sidewalks, horndog rave-ups like “Tush” and “La Grange” eschewed epic, Skynyrd-sized jams for a raw, raunchy energy tailor-made for a target demographic of (as another one of their early standards put it) beer drinkers and hell raisers. Upon forming in Houston in 1969, ZZ Top were among a wave of Southern rock bands outfitting bluesy, British Invasion-schooled riffs with countrified fingerpicking and desert-baked grooves. The strangest thing about ZZ Top is that they can lay claim to being both the dirtiest no-nonsense blues-rock band of the ‘70s and the glitziest camera-ready electro-boogie group of the ‘80s. The only member of ZZ Top without a beard is drummer Frank Beard, but that’s just the second-strangest thing about this Texan trio.
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